In their first ten years of marriage, Kate gave birth to five sons and a daughter. However, Kate did not have as many restraints as other women did as a result of marriage. He came to treat Kate as an intellectual equal and did not mind that she smoked and drank.
During their time there, Oscar bought and ran a general store in Cloutierville, Louisiana, where the Chopins became active in the local society. Kate became acquainted with the Creole community, which would also become an important part of her writing. In the next three years, Oscar continued to be worn down by financial worries and he died of swamp fever in Louis with the children, where finances were no longer a problem.
However, as things started to brighten up for Kate, her mother passed away in the following year. Page 1 of 9. Read Full Essay Save. Only available on ReviewEssays. After her graduation from a convent school at the age of seventeen, she spent two years as a belle of fashionable St. For the next decade, Chopin pursued the demanding social and domestic schedule of a Southern aristocrat, her recollections of which would later serve as material for her short stories. In , financial difficulties forced Chopin's growing family to move to her father-in-law's home in Cloutierville, a small town in Natchitoches Parish located in Louisiana's Red River bayou region.
There, Chopin's husband oversaw and subsequently inherited his father's plantations. Upon his death in , Chopin insisted upon assuming his managerial responsibilities, which brought her into contact with almost every segment of the community, including the French-Acadian, Creole, and mulatto sharecroppers who worked the plantations.
The impressions she gathered of these people and Natchitoches Parish life later influenced her fiction. In the mids Chopin sold most of her property and left Louisiana to live with her mother in St. Family friends who found her letters entertaining encouraged Chopin to write professionally, and she began composing short stories. After an apprenticeship marked by routine rejections, Chopin began having her stories published in the most popular American periodicals, including America, Vogue, and the Atlantic.
Between and she published the collections Bayou Folk and A Night in Acadie, the success of which solidified her growing reputation as an important local colorist. Publishers later rejected a novel and short story collection, A Vocation and a Voice finally published in , on moral grounds, citing what they considered their unseemly promotion of female self-assertion and sexual liberation.
Moreover, the hostile critical and public reaction to her later novel The Awakening largely halted Chopin's career; she had difficulty finding publishers for later works and was ousted from local literary groups. Demoralized, she wrote little during her last years.
A cerebral hemorrhage abruptly ended her life at the age of fifty-three. The stories of Bayou Folk, Chopin's first collection, largely reflect her skills as a local colorist and often center on the passionate loves of the Creoles and Acadians in her adopted Natchitoches Parish. However, the romanticism of the earlier collection is replaced by a greater moral ambivalence concerning such issues as female sexuality, personal freedom, and social propriety.
Disturbed by her feelings, she is relieved when Gouvernail leaves, but as the following summer approaches, she encourages her husband to invite him to visit again. Early reviewers of A Night in Acadie objected to the volume's sensuous themes. Similar concerns were later raised by publishers who rejected Chopin's next volume, A Vocation and a Voice. In these stories Chopin largely abandons local setting to focus upon the psychological complexity of her characters.
Mallard, a woman who learns that her husband has died in a train accident. While she joyfully anticipates her newfound freedom, however, her husband returns, the report of his death a mistake, and Mrs.
Mallard collapses and dies of heart failure. Although reviewers and readers throughout the late nineteenth and early twentieth centuries condemned Chopin's frank treatment of such then-taboo subjects as female sexuality, adultery, and miscegenation, since the s serious critical attention has been focused on her pioneering use of psychological realism, symbolic imagery, and sensual themes.
While their psychological examinations of female protagonists have made Chopin's short stories formative works in the historical development of feminist literature, they also provide a broad discussion of a society that denied the value of sensuality and female independence. The storm is the most significant symbol in the story because it is portrayed as the reason for bringing Alcee and Calixta back together.
The color white is the most significant color used throughout the story. The story consists of five different sections and each section is being told from the point of view of different character. The story being told in third person omniscient lets the readers know that the narrator understands what is going on in the minds of the character.
In the end Chopin makes it seem that infidelity can sometimes be a good thing; after the affair it made both Calixta and Alcee better people as a consequence. The message of the story is not that adultery is only okay if it is necessary it is rather that marriage is between two people.
Through her use of symbolism, point of view, and setting, Chopin gives her readers the understanding of what marriage was like and how a woman could express her womanly fulfillments in the nineteenth century. Work Cited Chopin, Kate.
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Essays and criticism on Kate Chopin - Critical Essays. Kate Chopin's Short Stories Kate Chopin Kate Chopin's Short Stories essays are academic essays for citation. These papers were written primarily by students .
Free Essay: Kate Chopin's "The Story of an Hour" In “The Story of an Hour” by Kate Chopin, the author depicts how someone can be trapped in an. Essays and criticism on Kate Chopin - Chopin, Kate - (Short Story Criticism).